A treasure-appraisal maniac

Chapter 327 Jun Kiln Bowl

After disposing of the 500-year-old cellar, Lu Fei couldn't wait to take out Mixi's small purple bowl.

Compared with the 500-year-old wine, this bowl is also a treasure, and it is also a super treasure.

The word for a small bowl from Jun kiln in the Northern Song Dynasty has the same pronunciation as the word for bowl. In the ancient and modern collection circles, those pretentious celebrities wrote it as a small bowl.

However, this is indeed a bit pretentious, so we simply wrote it into an easy-to-understand small bowl.

Jun, official, brother, Ru, Ding.

Among the five famous porcelains of the Northern Song Dynasty, Jun kiln porcelain occupies a unique place.

It is called unique because Jun kiln porcelain is the only porcelain that no one can imitate flawlessly and flawlessly so far.

It is also the most troublesome porcelain for the big names in the collection industry to appraise.

Jun kiln, also known as Juntai kiln, is a unique style synthesized based on the styles of Chai kiln and Lushan flower porcelain.

Deeply influenced by Taoist thought, it reached its peak during the Huizong period of Song Dynasty, and its craftsmanship was brought to its extreme.

Whether it is the expression of color or various textures, no one can imitate the expression technology that allows the kiln to be controlled and controlled at will.

The Song Dynasty was influenced by Neo-Confucianism, which was reflected in the regular and symmetrical porcelain. This principle was followed in both shape and texture, especially in the Jun porcelain made by officials in the Northern Song Dynasty. This principle was strictly adhered to regardless of whether it was a study utensil or a large sacrificial vessel.

Regular and symmetrical, elegant, palace-like, and meticulous.

Its momentum is heavy and simple, bright and deep.

Jian kiln, Yaozhou kiln and Jun kiln are the authentic traditional Chinese porcelain culture and the long-standing style has been passed down to this day.

Observed with a magnifying glass, earthworms are walking on mud patterns, with air bubbles connected one by one to form a three-dimensional crawling shape, and frog egg patterns are wrapped around the egg nuclei in piles and are about to hatch out.

There are also cow blood patterns, the blood is deep red, dark and murderous, solemn and majestic, etc. It is difficult to describe them one by one.

The color, texture size and distribution of Jun porcelain from the official kilns of the Northern Song Dynasty are difficult to control artificially and are just right. They are the embodiment of the highest level of craftsmanship of Northern Song Dynasty porcelain art.

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