Best wishes for animation production

Just as Gu Xue was performing Zhen Xiang, Chisa Mihara took the original painting and found Hiroshi Misawa who was performing.

The relationship between the two is no longer as tense as it was during the painting meeting, probably because of something Supervisor Shinichi Abe said. Now Misawa Hiroshi is willing to give Chisa Mihara a little kindness within the scope of his tolerance.

Just like today Chisa Mihara asked him to come to the company at three o'clock to check the original painting and L/O. He only complained a few times when answering the phone and came with a fairy-like look on his face.

Although the kindness he showed was simply self-righteous in Mihara Chisa's eyes, this did not hinder Mihara Chisa's work. She handed the original painting to Misawa Hiroshi with an expression on her face, and then stood behind him.

As she stood behind them, Misawa Hiro and Abe Shinichi immediately became a little nervous. After all, not everyone can concentrate on their work when being watched by others. Misawa Hiro is the kind of person who cannot be watched.

Abe Shinichi, who also acted as the supervisor for the final episode, noticed that Misawa Hiro was a little uncomfortable, and smiled and said to Mihara Chisa: "Miss Mihara, why don't you go and have a rest. I will notify you after the inspection is completed, and we will take it to you ourselves." It’s just one process, I’ll let you know, you see Misawa is not very used to being watched while working..."

"Please learn to get used to it now." Chisa Mihara interrupted him.

Abe Shinichi: "..."

Misawa sighed, and he also knew the other party's style, that is, he had to do every step personally, know the specific progress, and would never tolerate others wasting time.

Dealing with her really feels like a knife on your neck, and the other person keeps whispering in your ear: "If you don't hurry up, I'll chop her off..."

All in all, it was a lot of pressure. In fact, in just one day, some of the original animators expressed their dissatisfaction, and they were really annoyed by Chisa Mihara.

As an ordinary person, not many people will like the current Chisa Mihara, but as a production, it is really good for the work, which even Misawa Hiroshi cannot deny.

If all productions were like this, I guess there wouldn’t be many staff members who could withstand it, and the overall quality of the work might be improved to a higher level. It’s a pity that there aren’t many productions like this. After all, we are all human beings, and they are human beings. Will care about other people's opinions, no one wants to be disliked by everyone.

Slightly suppressing his displeasure at being "supervised", Misawa Hiroshi opened the original painting that Chisa Mihara had just sent over. He thought it was an ordinary card from some original artist, but he didn't expect it to be the fighting card that Gu Xue was responsible for. Zeguang's expression suddenly became serious. Now he has pinned most of his hopes on Gu Xue. In fact, among the original paintings handed in now, only Gu Xue's paintings are very good. The others don't know what they are. Sanze Guang has returned to full cultivation. Now while he has time, he plans to be a little stricter. When he runs out of time, it will not be too late to admit defeat.

But just because Gu Xue paints well and quickly, Misawa Hiroshi's standards become stricter. That's how he is. The more perfect things are, he wants to pursue more perfection. But for those ordinary works, if he paints a little better, he That’s it. To put it simply, the different expectations for each person lead to different standards. In other words, it’s a double-standard dog.

If Gu Xue knew this, she would probably vomit blood.

After roughly flipping through a card of original paintings, Misawa showed a satisfied expression, and then flipped through it carefully. He had nothing to say. This card of grassland not only met his expectations, but even exceeded it a little, whether it was one of the Four Heavenly Kings. The sense of speed shown in the past is still explosive, or the smoothness of the protagonist turning around and kneeing one of the Four Heavenly Kings, which is full of courage.

If it weren't for the name Gu Xue, Misawa wouldn't be able to believe that this was drawn by a little girl.

"Damn it, I've been in the industry for so long, and this is the first time I've seen an original painting with this level of completion. I don't even know whether to cry or laugh." Hiroshi Misawa handed the original painting to supervisor Shinichi Abe and cursed.

Abe Shinichi smiled. He understood Misawa's feelings. He is now trapped in a vicious cycle and has not taken on a high-quality project for a long time. However, he is more experienced than Misawa Hiroshi. Many of his pursuits now come with age. He has disappeared. Now, what is more important to him is to feed his family of four.

Of course, if there is a chance, some of his disappeared pursuits will come back, such as the last episode of "Uncle".

Abe Shinichi carefully turned over a card of grassland and showed a satisfied expression. However, there were some areas where he seemed to think he could do better, so he communicated with Misawa Hiroshi.

While talking, for some reason, the two of them started talking about whether it would be better to add a wide-angle lens somewhere...

Chisa Mihara interrupted the two of them in time: "Please don't cause trouble to Miss Gu Xue. She is still clearing Erhara. If you two still want to change the storyboard, please draw it yourself!"

Shinichi Abe and Hiroshi Misawa immediately stopped talking and smiled sarcastically.

It's indeed a bit much.

But they can’t be blamed. Now they are almost raising the lower limit for other original artists to draw the first original painting and L/O. It’s hard to find an original artist who can perfectly achieve the effect they expect. Of course, they want to do better. If If time permits, they all want Gu Xue to do the original painting alone.

Looking at Chisa Mihara with a cold face, Shinichi Abe put away the original painting, signed his name on it, and handed it to her, "No problem, please take it to the painting supervisor for inspection."

Chisa Mihara took the original painting, turned around and left.

"Ms. Mihara." Shinichi Abe stopped her and said, "Have you read it too? Isn't the painting good? So please give Miss Gu Xue some confidence. If she knows that you secretly contacted other original painters to prepare to put out the fire, what will happen?" If not, it will be very sad.”

"Eh?" Misawahiro stared at Mihara Chisa's back with wide eyes.

"...I will make my own judgment." Chisa Mihara's shoulders shook for a moment, then returned to normal and left quickly.

Abe Shinichi smiled and shook his head.

Chisa Mihara walked out of the performance and supervision office holding the original painting. She always focused on efficiency and did not go to the painting supervisor immediately. Instead, she found a secluded place and made a phone call.

The phone was connected and a hoarse voice came out: "Miss Mihara?"

"Hello, what I mentioned last time may not be necessary. I'm very sorry for causing you trouble." Mihara Chisa chose to bow even though she knew the other party couldn't see it.

"It's okay, it didn't have any impact on me." The person on the other end of the phone seemed to be very talkative.

Chisa Mihara changed the subject, "Of course, if you have time, I still hope you will draw the last few cards, and I will pay you properly."

"..." The other end of the phone was silent for a moment, and then said with a smile: "Miss Mihara has indeed changed. Well, I will squeeze out some time to draw it. Of course, I can't guarantee the quality. I can only guarantee that it can be seen. After all, I have a lot of work on my hands.”

"That's enough." Mihara Chisa bowed again.

"Well, then I'll continue working." The sound of paper being flipped came from the other end of the phone, and Chisa Mihara was about to hang up.

Sudden.

"By the way, I watched the animation you are currently in charge of. The painting in the last part of the sixth episode is really amazing. To be honest, although I am very reluctant, I have to admit that I can't guarantee that I will be better than the other person. Chisa-san, I’m not talking about you. It’s almost time to forget about the past. Not everyone is like that. I don’t know who is in charge of these difficult fighting cards now, but please give it to that person. A certain amount of trust, for example, if you entrust me with a job but then go to someone else, I might give up the responsibility."

"... Got it." Chisa Mihara uttered three words and hung up the phone.

Then she glanced at the original painting in her arms, took a deep breath, suppressed her complicated thoughts, and strode towards the position of the painting supervisor.

Both Shinichi Abe and the original animator on the other end of the phone mentioned the word trust, which made Chisa Mihara seem to not trust others... In fact, they were right.

Chisa Mihara really has never trusted anyone. She only trusts her own judgment now, even if Gu Xue can draw fast and well now.

The collapse incident in the last episode of "Falling Feather" three years ago. Although Director Kei Narita caused her a lot of trouble and even slapped her twice in the end, the animators of that episode actually made Chisa Mihara even more uncomfortable. On that last day, she almost wanted to kill herself.

Never overestimate the psychological and spiritual state of a creator when he or she is close to a dead end, or never put too much faith in the creator's promises.

This is Chisa Mihara’s creed.