In Name Only

Liang Yu basked in the bào for a few days, and his face and body were visibly darkened. The color would not affect his good looks. It should be said that it was because of his darker skin that his facial features became more masculine.

Xu Jingzhe watched as he followed the team to transport the saplings, planted them with a shovel, covered the soil, and finally settled down. They had a foreman in charge of the work. Although Liang Yu didn't talk much, he was diligent. Everyone liked him very much. Take the initiative to talk to him.

"I won't recognize you after the filming of your scene." Xu Jingzhe felt that he was numb and distressed. He delivered water in the morning, meals at noon, and food in the afternoon, basically running around with him, Liang Yu. Some thought he was distracted and rushed people back.

"Why do you stay outside like this?" Liang Yu said impatiently, "Would you like to accompany Lin Zhuoyu to play for a while."

Lin Zhuoyu sometimes came to see Liang Yu's work. After reading it, he was inspired to go back and change the script. He changed it overnight, and sent it over the next day. Every day, the lines and scenes changed, which made Liang Yu even when he was resting. Xu Jingzhe thought he was an experiential type, and the more he went to the back, the more he attached himself to the role. When the filming was about to start, Liang Yu was among a group of mountain guards, and Xu Jingzhe couldn't get a first look. recognized him.

In the whole film, apart from Liang Yu, the other two actors are also veteran actors, one plays the former mountain guard "Lao Zhou", and the other plays Lao Zhou's wife, Liang Yu's sister-in-law "A Yan".

The two actor teachers Xu Jingzhe knew each other. It should be said that when he was a student at the film academy, he was in the class of Jiulin and Mo Yan last week. Ren Qing and Mo Yan were old best friends for decades. Mo Yan saw Xu Jingzhe's excited eyes were wet.

"I haven't seen you for so many years, and Qingqing keeps reminding me that you go to see her." Mo Yan sighed, "I'm too busy to meet."

Xu Jingzhe felt a little guilty: "I was lazy and didn't take the initiative to see you."

Mo Yan shook her head: "What are you looking at? I study every day, and I haven't retired yet. You can't see me when you come to school. If you come to school, you can't stop at Nantianmen, and you will see a fart." She spoke straightly. Not too particular, Xu Jingzhe couldn't help laughing, and Mo Yan just stared at him.

"You really look better the longer you are." She sighed. "They used to nickname you in class and called you "chūn" Jiao, do you remember?"

"..." Xu Jingzhe actually almost doesn't remember it. Zhang Man told him about the concept of clay sculpture that was popular recently on the Internet, but in fact, this kind of thing has not started until now. Which beautiful boy didn't know when he was in school? People who have been called "Jiao" or "Sister", of course, were teased in the early days, but now the Internet is just complimenting you on your good looks, and you are only good-looking enough to be called "wife".

Lin Zhuoyu named the characters very casually, Zhou Jiulin is "Old Zhou", Mo Yan is "Ayan", Liang Yu is a rare person with a surname, and the script is called "Chen Liangsheng", but it turned out to be "Liang" Words, when filming, everyone called Liang Yu "Liang Sheng" just like calling him himself.

The main plot in the script Xu Jingzhe didn't know at first, and so did the actors. They took their part of the script. This is also Lin Zhuoyu's style. Unfamiliar" means that the moment you know the other party's reaction, you should not think about how to play the next step in advance. He asks for a natural and simple excess, not deliberate.

The big director has his own various habits and styles, which Xu Jingzhe can understand. For example, Qiao Zhenqiao is the complete opposite of Lin Zhuoyu. He requires the main actors to remember all the lines and plots in the script, even as small as a trick. The role of the character, chewed and swallowed repeatedly and had to regurgitate it out, so it was extremely painful for Qiao Zhenqiao and Liang Yu to cooperate with the "semi-literate" at the beginning.

Liang Yu's "anti-bones" and some inappropriate "mismatches" add to the sense of "unreal" that Qiao Zhenqiao's films lack. He no longer makes Qiao Zhenqiao's films full of standard formatting templates. His stubbornness gave Qiao Zhenqiao the most precious "spirituality" in his talent, and in his cooperation with Lin Zhuoyu, Liang Yu's "dedication" and "steadfastness" bound the other side's content that was too free. He gave Lin Zhuoyu's "talent" a foundation, took root, and became thick.

Xu Jingzhe sometimes watched him play "Chen Liangsheng", and felt that if he was a director and could meet an actor like Liang Yu, he probably burned incense in front of the Buddha's feet for eight years in his last life, and the incense ashes turned into the word "de". There is such a fate in this world.

When filming the big night drama, the mountain guards were in the sentry box at the foot of the mountain. Even in summer, the temperature in Mohe was lower than 10°. There were many vegetation and mosquitoes flying around people's faces. I have to recite the lines again before.

Lin Zhuo and the first filming of "Chen Liangsheng" squatted at the gate of the guard booth. Except for the two actors, the others were all brought in by locals for the road show. Xu Jingzhe watched Lin Zhuo and the mirror movement outside. It was a long shot without a single line. "Chen Liangsheng" was wrapped in a tattered green cotton coat, and the hanging lamp under the eaves of the guard booth was swayed by the wind, and the dim light fell on his face all at once.

"Chen Liangsheng" waited for a while, then took out a pack of cigarettes from his pocket, took one out of his mouth, and went to touch the matchbox again.