Is it reasonable for me to build a space elevator when filming The Wandering Earth?

The series of actions of the 'alliance organization' caused a violent shock around the world.

For a time, the Gabon region became the focus of attention of countries around the world.

Judging from the technical strength of the 'super-spec space elevator', as well as the reaction and stance of the P5 countries to it, many countries have sensed that the world pattern, which has been stable for decades, is about to undergo unprecedented changes.

After the end of the 'Alliance Organization' conference, Liu Lang, who participated in the meeting, returned to the film set in Northwest China to continue the filming of "The Wandering Earth 2".

Under the strong attraction of the 'super-spec space elevator' and the 'alliance organization', the attention of foreign intelligence organizations to the northwest region has become greatly reduced.

The disturbances of the outside world did not affect the filming of the film crew, and the crew in the military control area focused all their energy on "The Wandering Earth 2".

The scenes in the dungeon were filmed not long after Liu Lang returned to the crew.

As the time gets closer to winter, the outdoor environment in the Northwest becomes more and more harsh, with strong winds and heavy snowfall, beginning to appear unscrupulously.

However, this situation is exactly what Liu Lang wants, because a considerable part of the shots in "Wandering 2" need to be shot outdoors.

Compared with the large green screen set in the previous movie, the live-action shooting is supplemented by some special effects technology, so that the texture of the movie picture can be improved to a higher level.

It can also make the audience who watch the movie feel the reality of the picture, so as to have more sense of substitution for the wandering era of the earth in the background of the movie's world view.

The protagonist Liu Qi took his sister Han Duoduo to steal his grandfather Han Ziang's identity card and tried to 'run away from home' by car, but it didn't take long for him to be caught by the official forces of the road inspector.

In the process, including the interior of the dungeon, the ascending elevator, the large strategic transport aircraft attached to the 'planetary engine', and many futuristic sci-fi style transport vehicles in the movie, are all real products that can actually operate.

"Director Liu, when will it be my turn?"

Liu Lang was watching the picture of the movie camcorder, and Jiang Wen's voice suddenly appeared in his ears.

If you want to say who is the most familiar in the crew of "Wandering 2", except for Wu Jin, it is Jiang Wen who came to make a cameo.

At first, Jiang Wen just came to observe how the most advanced 'industrial science fiction film' crew in China operated, learn from experience, and learn from it.

But when he came to the crew, he was completely surprised by the various black technology movie props in the crew that broke his imagination.

Who would have thought that a movie could have a 'planetary engine' prop that is nearly 3,000 meters high? A

giant engineering transport vehicle can actually operate on the ground?

What Jiang Wen couldn't put down the most was the military version of the exoskeleton armor prop, which was a single soldier killer with a chain of thousands of bullets.

Jiang Wen once test-fired a complete bullet chain under the guidance of the security personnel of the on-site crew.

At that moment, the feeling of incarnating into a humanoid war machine made Jiang Wen addicted.

When he first came to the crew, he couldn't let go, but under Wu Jin's familiar greeting, the two soon went crazy in the crew.

All kinds of black technology vehicles driving on the ground have tried to drive, and when Jiang Wen questioned whether they had the qualifications to drive these movie prop vehicles, Wu Jin would pat his chest and tell him unconcernedly.

"It's okay, don't look at us driving without a license, and these cars don't have a production license!

But soon, when it came to the stage of Wu Jin's filming mission, the rest of Jiang Wen remembered that he had come over and made a cameo appearance.

The plot content of Jiang Wen's cameo belongs to Liu Lang's original plot.

The protagonist Liu Qi was arrested with his sister 'stealing a car' and put in the detention center, and his grandfather Han Ziang came to hear the news.

As a post-00 generation, Han Ziang tried to bribe the guards with the VR 'wool' he had treasured for many years, and was imprisoned together.

There are many contrasts and accidents in this plot, which is really a classic.

However, this is also the last warm scene before the 'Jupiter gravitational crisis'.

Then the 'Jupiter gravitational crisis' occurred, and dungeons around the world began saturation rescue missions.

The protagonist and his party also took the opportunity to leave the detention center.

The grandfather played by Uncle Da was bent on the comfort of his two children and did not join the conscripted rescue team.

However, it was unfortunately requisitioned by another group of coalition government relief forces that were on a rescue mission.

Everyone had no choice but to embark on a rescue journey to escort the 'flint'.

On the way, everyone unexpectedly found that the strategic transport plane in the sky, which was also carrying out a rescue mission, had crashed due to the thin atmosphere.

One of them crashes near the rescue convoy of the protagonist and his party.

Just when everyone went to rescue the wrecked transport plane, Jiang Wen, who was incarnated as the small leader of the rebels, appeared with his two generals, Guo Jinfei and Lei Jiayin.

The rebel forces, attracted by the crashed plane, and the protagonist who escorted the "Flint" rescue team engaged in a fierce firefight.

In this paragraph, Liu Lang focused on designing a firefight conflict that is in line with the background of the movie's world view.

The protagonist of the coalition government, the leading group, is well-armed but sparsely outnumbered, and the fighters in the team are determined to fight in order to protect the 'flint' from being captured by the rebels.

And Jiang Wen and others, who represent the rebel forces, are equipped with vehicles and weapons that are all 'wasteland punk style' with pragmatism first, although the equipment is poor, but they are not afraid of death.

The firefight between the two sides can be said to be the key plot in the middle of the movie.

In the first part of "The Wandering Earth", the popular "Space Elevator Battle" left a deep impression on the audience.

Therefore, in the filming of "Wandering 2", Liu Lang had to consider adding a battle scene that could match the plot of the previous work "Space Elevator Battle".

Without the cost, the technical limitations of special effects, and the strong support of the military and police forces in the military district, Liu Lang will naturally not let go of this plot.

This is also an important guarantee for "Wandering 2" to ensure word-of-mouth and avoid 'inferior to the previous work' evaluation.

When Jiang Wen, the 'little leader of the rebel army', appeared on the stage with the 'rebel troops' played by the garrison of the military district, the bloody and fierce battle scene immediately began.

A variety of black technology equipment and weapons from the background of the movie's world view appear in turn, and the rebel forces of the wasteland punk style have engaged in a short but fierce battle with the regular army of the coalition government with the blessing of high-precision black technology.

The rebels, deprived of access to the dungeon, fight to save the supplies in the team and stay alive.

The rescue team is fighting to protect the 'flint' and carry out the mission of the rescue target 'planetary engine'.

In this battle, there is no right or wrong between the two sides, there are only different identity positions.