Is it reasonable for me to build a space elevator when filming The Wandering Earth?

The reason why the 'space elevator' is called an 'elevator' is naturally a car that can carry people/things.

The biggest difficulty in manufacturing a space elevator, the cable made of carbon nanotube material, was manufactured and successfully launched, Liu Lang was not idle, and continued to draw the design drawings of the follow-up elevator car.

Then, with the assistance of the prop factory at the shooting base and many other machinery manufacturers who came to support him, the car of the space elevator was manufactured in just a few days.

The internal passenger area of the car is similar to the interior layout of the cabin of a general civil airliner.

In order to cope with the gravity load caused by the rapid rise and fall of the elevator, supporting anti-load clothing, oxygen masks and other equipment are also designed for passengers.

The car is also made of a number of high-strength alloy metals, including carbon nanotube materials, to ensure the safety of the cabin personnel.

The production cost of a single-seat car is as high as nearly 10 million dragon coins, which is still not counting the value of carbon nanotube materials.

However, the high cost of props is not a problem for Liu Lang, not only this car, but even the huge military expenses consumed by the previous [Space Elevator Defense Battle] air battle scene are paid by the official and included in the cost of the exercise.

The next day, when Wu Jin, Wang Zhi and others came to the set and witnessed the prepared space elevator car, they were stunned for a while.

"Director, do we want to shoot here?" Wu

Jin pointed to the closed car in front of him, very puzzled.

"That's right, I've already sent you the storyboard renderings of today's shots.

Let's go through the rendered CG animation video first, get ready for shooting, and try to pass it once when shooting!"

"Before the official filming of "The Wandering Earth", Liu Lang had already prepared the relevant storyboard rendering animation, and how to shoot each scene and clip, he had already presented it in the form of animation.

Through these brief animations, the actors were able to quickly get a sense of what they were going to shoot next.

To put it simply, the actors only need to 'imitate the performance' according to the storyboard animation provided to them by Liu Lang.

In addition, the actors selected are either Li Xuejian, Andy, veteran actors with decades of acting career, or acting schools such as Wu Jin, Ning Li, Sha Yi, and at the very least, Wang Zhi has a good attitude and is eager to prove his new generation of actors, which greatly reduces the difficulty of filming.

Wu Jin took a closer look at the [Space Elevator Cabin Fight Scene] in the sub-camera screen.

"Director, there are fight scenes in a weightless state, which need to be shot with the help of WIA.

This closed cabin can't lift Weiya. "

Wu Jin has filmed many martial arts scenes since he became famous, so he is very experienced in the filming of related fight scenes.

This can't help but ask questions to Liu Lang.

"Don't worry, you'll know later.

Liu Lang didn't explain too much, but took the actors and filming crew into the car.

[Space Elevator Cabin Fight Scenes] includes normal scenes and weightless scenes.

Liu Lang first filmed scenes in a normal state.

He doesn't have to worry about this much, with a full set of storyboard demonstration animations, plus the professional film crew provided by Byte Entertainment, the main actors involved in the filming Wu Jin, Wang Zhi also has rich experience in martial arts action.

Most of the fight scenes were filmed in half a day.

Looking at the time, Liu Lang instructed everyone to put on anti-load suits and oxygen masks, and sit down on the seats in the car.

When everyone did it one by one, they were sitting in the cockpit and still felt that these anti-load suits were quite well-designed, and there was really oxygen in the oxygen mask, and the crew was simply full of details.

At this time, there was a sudden 'click' sound outside the car, similar to the coupling sound of a mechanical hydraulic arm and a metal pipe wall.

Everyone in the cabin suddenly felt a little inexplicable.

"Director, why is this cabin rising?!"

At this time, an actor sitting by the window suddenly noticed that the ground outside the window was moving away from his sight, and instantly shouted in horror.

"What's the panic? Didn't you say it, let's go shoot the scene in weightlessness. "

Director, didn't you say that you would shoot in this car?"

"Yes, that's right, it's right here."

But you'll have to wait for it to go up.

When you get to the vicinity of the synchronous track, you can shoot weightless scenes.

Liu Lang explained to the actors in the car very seriously.

After hearing this answer, many actors who knew what the 'synchronous track' meantly meant, couldn't help but gasp.

"Director, do you mean the synchronous orbit at an altitude of 36,000 kilometers above the ground?!"

"Actually, it's not that high. Hearing

this, everyone had no time to rejoice.

"33,300,000 kilometers, the altitude of 34,000 kilometers is almost enough to meet the requirements of filming weightless scenes. "

'What's the difference?!'

the hearts of everyone in the car wailed.

"Don't worry, I'm not going to stay with everyone?

Not long after Liu Lang finished speaking, the car suddenly began to accelerate with a 'buzz'.

Everyone in the car only felt a huge thrust coming from under them, like a sports car with thousands of horsepower, and the feeling of the accelerator pedal being stepped on in a stationary state.

The next moment, the car began to rise vertically at a high speed.

Although this 'abbreviated version' of the space elevator designed by Liu Lang does not have a car ejection tower as in the movie, it provides a huge thrust for the initial acceleration of the car.

However, the G-value load when the car rises is not something that ordinary people's bodies can bear.

Fortunately, there is an anti-load suit, and there is no need to pursue the upward speed excessively like in the movie.

Looking at Wu Jin, who looked slightly panicked and subconsciously grabbed the arm of the person next to him, Liu Lang quickly pulled up the camera in a fixed position and started shooting.

"That's what I want to feel real!"

At the same time, inside the ground shooting base.

"Where is your director Liu Lang? Where did the others go?!" Shi

Lei has been busy coordinating exercises and keeping the 'carbon nanotube material' technology secret recently, and he has been very busy.

When I came to the filming base, I just wanted to discuss something with Liu Lang, but I found that I couldn't find the other party for a while.

Lin Hao, the assistant director who was questioned, raised his head with a melancholy look and pouted towards the sky.

"Brother Lang, this will be in the sky.

Shi Lei looked up, and only then did he find the space elevator cabin that had risen rapidly above the clouds.

"Didn't you say that you had to report to me when you left the shooting base

?!!Why did you go to the sky?!"

Shi Lei's eyes widened, looking at the space elevator car with only a small black dot left in the sky in disbelief.

"In a sense, Brother Lang is still in the filming base, but in the sky. "