After Kou Baimen got the news, he was shocked, and then he cried with joy.

He never thought that this benefit would actually fall on him.

God protects me, God protects me.

Dong Xiaowan also received Lu Yan's own calligraphy.

Just when everyone was about to leave, a young eunuch came to Jiang Caiping with an imperial edict.

"The imperial edict has arrived, and Jiang Caiping takes it."

This time it was Wei Zhongxian who came to announce the edict.

""The common people receive the decree." Jiang Caiping bent down and lowered his head.

Wei Zhongxian did not know the content of the imperial edict, so he read it directly.

This reading was astonishing, and it turned out to be an imperial decree summoning Jiang Caiping to the palace.

Jiang Caiping was summoned to the palace, and Jiang Caiping was canonized as the ninth Concubine.

Jiang Caiping was stunned.

She had thought about it, but she didn't expect that she would be allowed to enter the palace.

"Your Majesty, please accept the decree." Wei Zhongxian did not expect that it was an imperial edict calling Jiang Caiping into the palace, and he immediately became polite.

""The common people accept the order", Jiang Caiping accepted the order.

After the people around heard that Jiang Caiping was canonized as the princess, they immediately talked about it.

Everyone also received the news, some were envious, and some were jealous. Dong Xiaowan was very sad, why?

Obviously she is Oiran, why is it not you who enters the palace?

Dong Xiaowan is very sad.

Yan Poxi is filled with jealousy, twice, twice. She misses her every time.

Yun Piaomiao is very indifferent, he has no idea of ​​entering the palace.

······

""Your Majesty, this is a suspicious person who came to the Yun Kingdom, a talent." In Juanqinzhai, Zhang Han sent the investigation report of the Shadow Secret Guard to Lu Yan. During this period, Yundu was the most heavily guarded.

The Shadow Secret Guard was even more guarded. Monitoring in secret.

Once there is a suspicious person or someone, it will be recorded.

Lu Yan took the list from Zhang Han and looked at the names on it.

"Well, Tang Yin?"Lu Yan saw a few familiar names.

He was not this Tang Yin.

"Where is this Tang Yin?"

"Reporting back to the king, Tang Yin is currently resting in Baiyunju."

"It's a pity that the academy didn't discover this talent."

Lu Yan actually felt a little wronged by Lu Yan. It wasn't that he didn't want to find out, but there were just too many people. He could n't take care of them.

He didn't have the experience to use the Wisdom Eyes.

After all, the manpower was limited.

Lu Yan Yan took out a vermilion brush and drew a circle on Tang Yin's name.

He didn't know whether this Tang Yin was a painter in history or an image in film and television dramas. He was not only a painter, but also a master.

Stars could not help but appear in Lu Yan's mind. The face of the master.

The powerful fighting power makes people look at him.

Especially the Tang family's overlord gun.

It is even more powerful.

Tang Yin's character is Bohu, so everyone calls it - Tang Bohu, the small character is Ziwei, and the nickname is Liuru Jushi , was a famous painter, calligrapher, and poet in the Ming Dynasty.

In the 21st year of Chenghua, he ranked first in the Suzhou Prefecture Examination and entered the Fuxue School. In the 11th year of Hongzhi, he ranked first in the Yingtianfu Township Examination (Jieyuan). ), entered Beijing to take part in the examination. In the twelfth year of Hongzhi, he was involved in the Xu Jing examination fraud case, was convicted and imprisoned, and was demoted to a minor official of the Zhejiang vassal.

From then on, he lost his enterprising spirit in the examination room, wandered around the world, and was buried among poems and paintings. He became a famous painter.

Unlike in movies and TV shows, in history, Tang Yin lived in poverty in his later years and relied on friends for help.

Later, he died of illness on December 2, the second year of Jiajing, at the age of fifty-four.

Li Tang and Liu Songnian were the patriarchs of landscape painting. , integrating the northern and southern painting schools, with delicate pen and ink, sparse layout, and elegant and elegant style.

The figure painter inherited the tradition of the Tang Dynasty, with bright and elegant colors, graceful posture, and accurate modeling; he also worked on freehand figures, with simple and comprehensive brushwork, which is full of interest.

His flowers and birds His paintings are good at freehand brushwork in ink and wash, free and elegant. His calligraphy is unique and handsome, and he is inspired by Zhao Mengfu.

Therefore, Tang Bohu is an all-rounder.

He can do landscape painting, figure painting, or flower and bird painting.

In painting, he is the same as Shen Zhou, Wen Zhengming, Qiu Ying is also known as the"Four Schools of Wu Clan" and the"Four Schools of Ming Dynasty" in poetry and prose, and is also known as the"Four Talents of Wuzhong" together with Zhu Yunming, Wen Zhengming, and Xu Zhenqing.

In calligraphy, Tang Bohu's changes can be divided into four periods. The first period was before the age of 30. He had a good relationship with Wen Zhengming, who was of the same age, and was greatly influenced by Wen. Therefore, their calligraphy and painting were very close. The lake rocks , flat slopes, and trees were all very similar to Wen's fine pen; his calligraphy was also very similar. They all start from Zhao Mengfu. They all have elegant structures and elegant brushwork. The inscriptions on Tang Yin's"The Master's Deep Hidden Picture" are very similar to Wen Zhengming. The second period is from the age of 30 to 36, Tang Yin's examination room After being deposed and his wife divorced, he had no choice but to make a living through poetry, calligraphy and painting. At that time, calligraphy followed the Tang Dynasty and strived for standardization. Especially Zong Shangyan Zhenqing's regular script was dignified, round and fleshy, and the structure tended to be rectangular, strong and dense, The stippling is thin horizontally and thick vertically, and incorporates the calligraphy method. The end of the horizontal stroke resembles a"silkworm head", and the stroke in the middle of the stroke is close to a"swallow tail", which is very powerful.

The third period is from thirty-seven to forty-five years old. Tang Yin was in his prime, living in Taohua Temple, and concentrated on poetry, calligraphy and painting, and his creation reached its peak. At that time, calligraphy returned to Zhao Mengfu, and caught up with Li Yong of the Tang Dynasty, thus forming its own mature style, with a handsome and graceful structure. It is based on the charming and graceful Zhao style of writing, and incorporates Li Yong's slanting character posture, powerful brushwork and vivid layout, showing energy in the beauty and agility in the beauty. The fourth period is the fourth period. He died from the age of 16 to 54, which was already in the later years of Tang Yin. He pretended to be crazy and fled back from King Ning of Jiangxi Province. He further understood the world and his calligraphy also became straightforward. He also absorbed Mi Fu's calligraphy style of asking for ideas and gaining power. The pen is quick and vigorous, calm and cheerful, attacking from all sides, straightforward and free, pursuing strength, speed and charm; at the same time, it integrates various brushwork techniques into one, making the structure and use of the pen full of changes, and achieving the goal of free and easy swaying. situation. _To read the ununderlined version of the novel, please download Feilu Novels

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