Rebirth of the Father of Anime

The debate about the two rituals and Shiki's direct-death demonic eye was finally settled after "Remaining Pain".

"As long as it is alive, even gods will kill it for you!"

This kind of "living" is not necessarily a living thing. If you want to understand it, it should be a kind of "existence". As long as the "existence" can be understood, even if it is a conceptual abstract existence, you can kill!

In "Remaining Pain", the two rituals were able to "kill" even Asakami Fujino's invisible "distortion", but judging from Shiki's performance in "Tsukihime", he was unable to kill this "abstraction" s things.

"This is too BUG!"

Fans were shocked after witnessing the real direct-death demonic eyes of the two rituals.

"If it's the Demonic Eye of Direct Death with two rituals, then wouldn't one person be able to destroy all "fates" with these two rituals?"

"According to the theoretical setting, this is indeed the case... However, after all, the two rituals are just a mortal body. Even if she has this level of magic eyes, her body reactions must keep up. Even if she has the ability to kill The ability to kill a heroic spirit with one blow, however, requires that she can touch the heroic spirit first. The heroic spirit has much more combat experience than her, and its speed is almost invisible to the naked eye, so she cannot deal with the heroic spirit. But fighting If you beat those Masters, you might still be able to fight. After all, the Master is a magician. The purpose of the Holy Grail War is to trace the roots, and the two rituals have already touched the roots. Although they don't know magic, the level of this magic eye is higher than Others are too tall.”

The body is the biggest limitation on the strength of the two rituals.

"Shiki Tono also has the assassination book of the Nanaya family. Although their family is human, they have physical fitness beyond human beings and can make all kinds of incredible actions. This is the root of Nanaya's assassination technique. Although Shiki Because of the genocide, I have not learned everything, but even so, it should be no problem to deal with the two rituals on the human side, except for the demon eyes."

"Although the two rituals are more powerful than Shiki's Demon Eye, when it comes to fighting, Shiki is still more powerful."

A person thought for a long time, and suddenly realized: "Speaking of which. Is this devil's eye of death nothing more than a brainstorm? Zhiki, who looked like an engineering dog at first glance, had a deeper understanding of what he could see, so he looked at The magic eye is more proficient in the use of this kind of thing - it can see the dead center. The literary girl Li Ritual has a bigger brain and is very good at brainstorming, so she can understand various abstract concepts..."

"Who told you that people who major in engineering have no brains! Look at all the weird inventions in the world. Which one has nothing to do with science and engineering? Science is the biggest brain!"

Originally, there was a fight between Zhiki and the two ritual demon eyes.

It soon developed into a battle of ideas, and then a battle of arts and science.

"Although the two rituals are already very buggy, I think the final awakening of Asakami Fujino's demonic eye is even more buggy."

Speaking of the magic eye, naturally I have to mention another person who fought against the two rituals this time. Asagami Fujino.

In "Overlooking the Landscape", one hand is a prosthetic limb made by Aozaki Yuko, but when and why the hand was lost, fans have always been curious - after all, she has such a powerful magic eye. ah.

And in "Remaining Pain", it was finally solved - Asakami Fujino.

Asakami Fujino's magic eye itself has the ability to distort what the eyes see. This is a conceptual distortion that does not care about the softness or hardness of matter. As long as Asagami Fujino thinks it can be twisted, then it can be twisted.

In the battle with Asakami Fujino, Ryo Rishi showed that he could surpass Shiki's Demonic Eyes - he could even kill "Twisted", but he also lost a hand.

Originally, Asagami Fujino's magic eye ability had great limitations - it had to be where the eyes could see. But in the battle with the two rituals, she finally awakened another ability - clairvoyance, in other words, clairvoyance. Her sight is no longer limited to her own eyes. As long as she wants to see, she will not be blocked by anyone. blocked by things.

In a head-to-head confrontation, Asagami Fujino and Ryo Rishi of this level might be able to compete on a par.

However, the evil eye of direct death of the two rituals will not be open forever, and Asakami Fujino's attack can be said to be silent and impossible to prevent. From the perspective of assassination, I am afraid that there is nothing more brutal in the world than this. Assassination ability.

Speaking of Asakami Fujino in "The Remaining Pain", it also makes people sigh. Even though Asakami Fujino broke one of Ryori's hands, not many people hate Asakami Fujino... Her tragic experience is really disappointing. Can't hate it.

Regarding Matou Sakura's experience, He Chen can make more appropriate changes, because Mushroom's "crazy" setting for her only serves the sales of galgame. Another method can also show her misery and her The darkening will not have any impact on the overall story.

As for Fujino Asagami, it would be more troublesome to deal with. If her experience were too mild and people could not sympathize with her, it would appear that she was indiscriminate and cruel. The audience must understand her murderous revenge and also feel sympathy for it.

In the original theatrical version, the opening chapter was too in-depth, or superficial. In the novel, it is only briefly touched upon here, and the focus is on the main themes of this chapter, "pain" and "punishment."

He Chen uses stream of consciousness and montage techniques to downplay the direct expression of the picture while at the same time highlighting the main theme in depth. What the audience finally sees is that such a thing is not directly shown on the screen, but the audience knows that such a thing has happened, and automatically completes it in their brains.

The depression it brings is heavier, and it also stimulates the audience to be more sympathetic to Asakami Fujino's experience. Not only did Asakami Fujino's subsequent indiscriminate killings not make anyone feel disgusted or uncomfortable, it even made people feel happy to vent. However, after the joy, there was even deeper sorrow and pain - why did Asakami Fujino suffer such a tragic thing?

This is the most important point in the stream of consciousness technique - blank space.

The term "blank space" refers to intentionally leaving corresponding blank space in the artistic creation of calligraphy and painting in order to make the entire work's picture and composition more coordinated and exquisite, leaving room for imagination.

From an artistic point of view, blank space is an art that uses "blank space" as a carrier to render a beautiful artistic conception.

From a practical point of view, blank space refers more to a simple and comfortable concept.

Blank spaces are mainly divided into: blank spaces for words, blank spaces for art, blank spaces for philosophy, and blank spaces for applications.

A very common saying is "after a night", "had a great time afterwards", "omit 5000 words", etc. These are all superficial blank spaces. After the proper atmosphere is created, give people Leave plenty of room for brainstorming. No matter whether the author has this intention or not, as long as people get their own feelings from it, then the blank space will be successful.

This is "a thousand Hamlets for a thousand people."

Pain is a biological feeling and a response to stimulation.

Asakami Fujino developed painlessness because her ability was sealed. She lost the biological instinctive feeling of "pain" that should have existed.

Everyone else has it, but she doesn't.

She didn't know what pain was. Others would be sad because of pain, but she wouldn't - because she couldn't feel it, and she couldn't understand why others were sad.

Therefore, she lost her sense of survival.

She didn't want others to find out that she couldn't feel pain, because then they would think of her as a different person.

What method did she use to hide that she couldn't feel the pain?

Just not telling anyone she was hurt. Fujino, who has never had any true friends, has always found it easy to cover up his wounds.

For example, she sprained her ankle after a sports day in junior high school. Later, she discovered it herself. The female companions who were with her did not question her excuse and just left.

Behind the scenes, she never cared about the wound because she couldn't feel the pain. But at that time, Kurogiri appeared, a strange senior, who saw at a glance her injury that had been exposed but not noticed by anyone, and then asked her: "Does it hurt?"

Fujino recalled that when she was a child, she was playing house alone with a stuffed bear at home, and a real knife was mixed into the toy without realizing it, thus cutting her hand. She didn't know what happened, but she saw her mother's suddenly distressed eyes and was held in her arms.

My mother said comfortingly: "It won't hurt anymore after the injury is healed."

For Asakami Fujino, who grew up alone and slowly learned to cover up her wounds and arm herself into a strong, normal person, these two warm memories told her that pain is something that can make her Getting warm things and saying that you are in pain will not only make you look like a normal person, but also gain care from others.

Others cry because they are hurt, and she does too. However, it is not because of the pain. She just sees others crying and gets the love and warmth of her family. She just learns to pursue the real sense of survival.

That's why she craves pain and pursues pain. To others, pain is pain, a feeling they don’t want to experience. However, for her, pain is a kind of happiness, because it can make her feel the real sense of survival and make her feel alive!

Asakami Fujino and the two rituals are both on the edge of the realm, and they have great similarities. The difference is that Asagami Fujino has found it difficult to control his own state (from killing to killing). As for Shiki, at least he has Kurogiri by his side. Even so, Ryogi did not kill Asagami, and the reason involved Shiki's inner struggle.

"The Realm of Emptiness" - The "emptiness" of Wu Tiaowu's painting comes from his own paralysis, and he can only lie on the bed and look up at the sky outside the window; the "emptiness" of the two rituals comes from his own dual personality, and the death of Liang Yizai The Galan hole left in her heart afterwards.

So Asakami Fujino's "emptiness" is her painlessness.

"Empty" needs to be filled, Wu Jiao Kirie filled his own emptiness with his own death; after contacting, comprehending, and thoroughly understanding "death", the two rituals filled their own emptiness with the courage of "life".

Asakami Fujino's "emptiness" is filled with pain. (To be continued. If you like this work, you are welcome to come to Qidian.com () to vote for recommendations and monthly votes. Your support is my biggest motivation. Mobile phone users, please read it.)