book of ten thousand words

A few years later, after the Qing army sealed off Kunming City, I had the opportunity to come upstairs alone.

At that time, I really forced myself to calm down and read some things.

At that time, I discovered that a real connoisseur must be a solitary person.When you are with other people, everything is distraction, no matter how beautiful the objects and details are, it is inevitable that they will be reduced to just passing by.Only when there are no communicators around, can the quiet time and space truly open, and the communication between people and things can be regarded as truly achieved.

When I really became a lonely person in the Wanjuanlou, this real communication happened once.

I remember seeing mainly calligraphy and paintings at that time.For example, Zhao Mengfu's "Xiao Temple in Jiangshan".

This painting is really detailed and beautiful.

The author used old paper as ink, and painted three layers of mountains at the bottom left corner, and each layer has dozens of ancient trees in it, and there is an ancient temple in the distance. Several layers of misty and rainy rockery.When the volumes are unfolded one by one, the artistic conception is as long as a small order from the Tang Dynasty, which makes people linger and forget to return.

Of course, no matter what, the beauty of this painting is still within the scope of description, and when the more powerful "Autumn Colors of Magpie Blossoms" unfolded, all language lost its ability and became pale and dim .

I don't know what to say to express my praise.I think I can only know to tell you:

I remember it, I remember its elegance and antiquity, I remember the strength and depth of the writing that only authentic works can show, and I remember the vitality of the pen that is like breathing in the silence.that is it.

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Of course, there are not only Zhao Mengfu's works on Wanjuanlou.In addition, Huai Su's "Self-narration Post", Li Bai's "Up to the Balcony Post", Gu Kaizhi's "Nvshi Zhentu Scroll", Han Gan's "Horse Scroll", Mi Nangong Three Posts, and Huang Gongwang, Ni The works of Zan, Wang Meng, Wu Zhen and other painters were also here at that time, and they are dazzling.

As for other less well-known works, there are countless.

It is not easy for some of these paintings to survive until now.

After all, I didn't cherish them that much: before the Wanjuan Building was burned down, I didn't think about them at all, so I set the dismal fire.

……

fire!fire!

What a fire it was.

The ground shakes and hearts are torn apart.

Everything in Wanjuan Building exploded with violent noise.The originally green Zhou Ding flowed out red juice, flowing softly.Scroll after scroll of ancient paintings scattered into tens of thousands, reflected by the flames like beautiful black peach blossoms with gold borders.It was a fire that burned everything.

After the fire, there was no more Pingxi Palace.

The last piece of spiritual territory of the Ming Dynasty was also destroyed.

That year was [-], ten years since I first boarded the Wanjuan Building.

In that year, countless rare treasures and countless paintings and antiques were just like the innocent funerary objects of the joys and sorrows of the world.

Everything, everything, transforms temporary form into eternal flying dust.

Didn't you mention "Jin Ping Mei" before?

Perhaps the ending of that eventful event is also very applicable to Pingxi Palace.

The majestic sword has no prestige, the brilliance is heavy, and the treasure piano is scattered and the gold stars are destroyed.

At that time, the singers and dancers did not return, and they turned into the ashes of today's Xiling!

My life is not a comedy, but a downright tragedy.

Yes, my life was destined to be a total tragedy.

A tragedy that cannot be borne but must be borne.

Everything is also predestined from the beginning.

There is no other reason, just because it was the ten years of Kangxi with chaos and people.

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