Since 1983

"The Sound of the Wind" took 20 days to shoot, and everything was on the right track.

After a few days of filming, we moved to Xiangshan to shoot exterior scenes, that is, the scene where a few people were eating at the beach, and a few scenes outside the castle. Producer Xu still has his own affairs, so he won't follow the whole process, but fortunately, he is already very obedient.

Morning, dining room.

Holding the tray, Xu Fei took six steamed buns, some pickles, an egg, and a bowl of millet porridge. When he turned around, he saw the two girls waving at him.

Squeeze in the past, Gong Li is similar to himself, and Zhang Manyu eats bread and milk.

"Wow, six buns, you can eat them very well."

"Six is ​​nothing, my girlfriend eats eight."

"You have a girlfriend?"

"Yes! Why, are you disappointed?"

"whispering sound!"

Zhang Manyu rolled her eyes, Gong Li peeled an egg for her, and then came back with a slice of ham.

Producer Xu looked very happy, and said, "You guys are pretty familiar now!"

"Get to know each other slowly, there are so many people in the circle, most of them have no chance to become friends. It is actually very rare to have the opportunity to get along and feel that they get along well."

"It's a good fit. You two are communist sisters. You are an older sister and she is a younger sister. It just fits the role."

Chatted for a while.

Gong Li started to talk about the business, and said: "The agent told me about a film contract, invested by a Japanese company, directed by Chinese-American director Wang Ying, with Jeremy Irons in it, named "Chinese Box"."

"Well, you're looking for us."

"Then who is the mistress?"

"The roles are pretty much the same," Zhang Manyu said.

Wang Ying is a Chinese-American director, male, who has filmed "The Joy Luck Club", "Cinderella in Manhattan" and "The Secret Fan of Snow Flower". Talking about some so-called Chinese and Western cultures, they are actually mediocre.

"The Joy Luck Club" is the film starring Yu Feihong; "Snow Flower and Secret Fan" is Li Lianhua and Jun Zhixian, the producer Wendi Deng. Hey, Wendi Deng is a ruthless person!

"China Box" tells the last time of a terminally ill British photojournalist in Hong Kong. Before the return, I met a mainland woman and a Hong Kong woman.

These three people are metaphors for Britain, Hong Kong, and mainland China, respectively.

"You told me at the time that it was difficult for Orientals to develop in Hollywood. Then I saw this script, wow, this was filmed by a Chinese director, and my role is like a vase." Gong Li said.

"What did he say?" Zhang Manyu was curious.

"I said that when Chinese actresses go to Hollywood, they either take off their clothes, or fight, or act as vases. They don't want to rely on acting skills to win."

"So absolute?" She disagreed.

"Not absolutely, it should be said that the first impression is very important. If you want to take the first step into Hollywood with "Chinese Box", it is completely wrong.

Your achievements in China will be wiped out, and what will be given to you in the future will be nothing more than a bunch of vases. "

Xu Fei did not scare people. This film did not promote Gong Li, but became a stumbling block instead. Fortunately, she had a choice, she turned down many vase roles, and did not wait for "Memoirs of a Geisha" until she was 39 years old.

Of course, he didn't force it, it's up to him to decide.

Speaking of which, Mr. Xu has no money now. When he has money, do you think he won't open a new map?

"American Entertainment Begins in 1997".

...

After chatting for a while, the two left.

Producer Xu is still eating because he has a lot of buns.

There were still quite a few people in the dining room, and right in front of him sat Xin Baiqing and Zhu Yuanyuan who came to play as a guest. The two young people had breakfast and chatted, you touched, I touched, and they met and laughed.

He...tui!

He patted the table, "You two eat as soon as you eat, what are you doing? Pay attention to the impact."

"Teacher Xu, let's discuss something."

"What are you not ashamed of?"

"This, this."

Zhu Yuanyuan took out a newspaper, came over and said, "Teacher Xu, take a look, it's very interesting."

snort!

Many years later, when Xu Fei looked at the mole at the corner of her mouth, he would always think of that distant afternoon when he made clothes with Teacher Li.

He took the newspaper and looked at it, poof!

"The reality version of "My First Half of Life", an exclusive interview with the parties involved."

"Hot topics have aroused great discussion. How should contemporary women deal with the third party?"

"The third party becomes 'little three', and a new popular vocabulary is born."

A whole page, it was the media attention that that post aroused.

The most amazing thing is to interview the person involved, get in touch with the woman, and reveal the company name and the man's name.

He flipped through the date and found it was yesterday's newspaper. Just as he was about to ask, Fu Biao came over: "Hey, do you read it too? I have the latest one here, and my daughter-in-law keeps calling me to talk about it."

"Sister-in-law, what can I talk to you about?" Zhu Yuanyuan knew each other well, and could chat with anyone.

"Just ask me, if you become famous in the future, will you find a mistress? I said that I am quite famous now, and besides, who can fall in love with me?"

Fu Biao, Xin Baiqing and others gathered at a table and started gossiping.

"Little San accepts money, as long as you have money."

"I don't have money either."

"Alluding to my low salary?"

"No, absolutely not!"

Fu Biao slapped today's newspaper on the table, and said: "Actually, that's the thing, it's not new throughout the ages. I think it's interesting to discuss TV dramas today."

Zhu Yuanyuan hurriedly said: "Recently, the topic of the third party has frequently appeared in the newspapers, and it originated from a self-reported article on a certain website.

The cause and effect aroused public interest, and netizens even coined a buzzword "Xiao San".

For a while, there was a lot of excitement about the battle to defend marriage, men turning bad when they have money, third party meddling, etc. Last year's TV series "My First Half Life" took the opportunity to rebroadcast in several provinces, and the ratings remained high.

At the same time, it also extends the discussion on what kind of character film and television works should have.

Surprisingly, the TV series adapted from Qiong Yao's novels, which once sparked a frenzy in mainland China, has become the object of criticism from many people...

The following are the opinions of the masses and do not represent the position of this newspaper. "

Why……

Xu Fei was in a delicate mood. He swears to Baozi that he really didn't ask the navy to make a public opinion offensive.

He just posted those two articles and nothing happened. Unexpectedly, the first generation of netizens were so powerful. First, the discussion was in full swing, and then the self-report was drawn out, and finally it was noticed by traditional media.

The mid-to-late 1990s was a period of great social transformation, the development of the commodity economy, and the rapid widening of the gap between the rich and the poor.

Those gangsters in the 1980s counted as the first batch of rich people, and those who started after 1992 counted as the second batch, and the base number increased. So divorce, a third party, is not uncommon.

The society is paying more and more attention to tradition, money, morality and ethics, which is the basis for the formation of hot spots.

If in later generations, a mere cheating, hmph, even the trending search will be withdrawn for you!

As mentioned earlier, the popularity of Qiong Yao's drama is based on the praise of love first, which is in line with the fantasy and longing of contemporary people. The second is the romantic and passionate filming, handsome men and beautiful women, idol drama elements.

The third is that there is no comparison of works, and they stand out.

But now there is, not only there, but also very obvious.