It must be admitted that Li Shushan is indeed very partial to his motherland. Even if he is doing things behind the scenes, it is only on the Internet, and he has not created mysterious events in reality that would reshape people's outlook on life.

He obviously hopes that his motherland will adhere to scientific materialism, continue on this road, and become the base camp of the science and technology side.

Of course, the most important point is that his desire for survival has really been fulfilled, and he firmly believes that becoming a spirit is not allowed after the founding of the People's Republic of China. No feudal superstition can appear in China!

Now, since Li Shushan has set his sights on Japan, of course he must be fully prepared.

Before you officially build the world's only true horror house, do some small experiments, like making some urban spooky stories come true.

In addition, in order to bring an authentic "supernatural resurrection" to Japan, Li Shushan recently systematically learned about Japan's many monster legends through Alice on the Internet.

There are a lot of legends about monsters among the Japanese people. This is probably related to the psychological tendency of the Japanese people in the island country to have a mystical tendency.

Japanese people who like to be more serious classify monsters into categories and write books such as "Japanese Monster Sayings" and "Japanese Monster Encyclopedia", which are also equipped with exquisite illustrations and can be seen in libraries.

This is simply too convenient for Li Shushan to do things. Using magic to create these monsters that are full of people's imagination is really a professional counterpart.

Perhaps they are more appropriately called "familiar" than "yokai". Almost every mage can create a familiar, and compared to having a physical familiar, a spiritual body is more convenient to create. Don't forget Magic power is transformed from spiritual power.

In a sense, Alice, the magical artificial intelligence, is also a special kind of familiar. She is both a spiritual body and a data body, and can freely switch forms in the magic network and the Internet.

In addition to these books, in Japan, elderly people from "local associations" in various places talk about fairies from the past and present with great interest.

The emergence of monsters originated from the awe of nature and animals in ancient times. People called the forces that they could not see, touch, and control as monsters.

Japan is a country that respects water very much, so many legends are related to water. For example, Granny Douzi is a goblin who uses a sieve to catch people in the water to eat; Hashihime is a female ghost who drowned herself for love; The kappa in the movie is probably based on a ferocious freshwater crocodile.

Similarly, Japan is a mountainous country, so there are many legendary monsters living in the mountains. For example, the snow girl is said to be a woman who was abandoned by her lover in the snowy mountains. Therefore, she often seduces people who go up the mountain. Anyone who falls in love with her will freeze to death. There are also monsters such as Shantong and Shanlao. Therefore, in the original folklore, monsters were often scary in appearance and frightening to people.

What Li Shushan wanted was this kind of terrifying look. The scarier the ghost, the more efficiently it could harvest spiritual power. As for whether it would frighten the person involved into getting sick, that was none of his business. Anyway, monsters like this Unscientific stuff will never appear in China!

The Japanese deserve it, who made them so superstitious?

And there is a saying that the more ghosts and legends there are in a place, the place must be full of injustice and oppression. The working people at the bottom have no power to resist the upper class and are wronged in various ways, so they can only hope that the ghosts will take revenge.

For example, there is a kind of ghost called "Bone Girl". She is a woman who was insulted, bullied, and ravaged by others during her lifetime. After she died in anger, she turned into a ghost and demanded life from people. Because only a pile of bones was left, so It will use human skin to disguise itself, and the targets it takes revenge on are mostly men, and most of them are people with bad character.

This is recorded in detail in "Hundred Ghosts at Night", so Japanese folklorists generally use it as a research object——

Although he has died long ago, he still carries some kind of obsession with this world. Although his body has long since decayed, his soul is attached to the bones; with that obsession, he drives his bones to return to this world to kill himself. The female ghost who wishes.

Slowly, this obsession became special, and what was circulated was the most difficult to resolve emotion in the world; attachment and infatuation for the still living lover supported the bones of the deceased to come back to meet each other with their souls, presenting In front of his lover, his appearance and voice are still the same as when he was alive, but in the eyes of the people around him, he is holding a decayed skeleton and crying bitterly.

The existence of ghosts like "bone girls" can make those scumbag men restrain themselves a lot, because men with good conduct will definitely not encounter the revenge of "bone girls".

When Li Shushan decided to revive ghosts full of positive energy like "Bone Girl" into reality, he felt that he was really full of internationalist spirit. He was worried about correcting the unhealthy trends in the entire Japanese society!

At the same time, in Japan, a country controlled by chaebols and capital, there should not be too many grievances. The same is true in the country of Korea next door. I don’t know how many weak women were oppressed by the powerful, and in the end they could only commit suicide with hatred. , even if it caused temporary indignation among the people, the law still sided with the powerful.

Therefore, in these countries where the powerful regard the law as nothing, they need to rely on ghosts to bring justice to the people at the bottom!

Thinking of this, Li Shushan suddenly felt that his next act of triggering a "supernatural resurgence" in Japan, Korea, Southeast Asia and other countries could be regarded as an act of justice for heaven!

Although his real purpose of doing this was to earn enough magic power for the Magic Network, he felt quite motivated because he could bring positive energy to these small countries, because morality was on his side.

Since the people at the bottom are hoping that ghosts and gods will redress their grievances, then Li Shushan should satisfy their expectations!

These preliminary preparations are all just on paper. Anyway, Li Shushan is about to go on summer vacation. He plans to take Olivia, use space magic, to go to Japan in person, and after he has a more complete understanding of its social reality, he will officially start action!

In addition, of course he would not be stupid enough to act in Japan as a Chinese person like "Li Shushan". Instead, he would use Alice to forge a new identity, which would make it easier for him to cause trouble and invest in "terror" in Japan. The "House" project will definitely not attract the attention of Japanese officials in the early stages.

And when the "House of Horrors" becomes more and more influential, Japanese officials may no longer be able to take it into consideration.

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