And when the truth was revealed at the end of the movie, it turned out that the mastermind behind several crises, including the digital faction, was artificial intelligence MOSS, all the audience couldn't help but feel a chill from the bottom of their hearts.

In the name of saving humanity, MOSS constantly creates crises within the rules set by humans, which makes countless viewers think about it in horror.

[!I'll just say, that Tu Hengyu just uploaded his daughter's consciousness to the Internet, and within a few seconds, something happened at the moon base

!] It turned out that it was really an intelligent AI making trouble!

] [No wonder it wants to say 'forbidden to use metaphors, rhetorical questions, or hints' to communicate with it, so that it can't understand the true meaning of human beings when they speak] [

This villain is set up to be a bit interesting, much more reliable than any human internal struggle].

After the easter eggs about artificial intelligence MOSS in the movie were revealed, the audience in the theater talked a lot, and combined with the details revealed in the previous movies, new perceptions began to appear in their minds.

Until the film finally ends, when the lights come on, the vast majority of the audience is still in their seats.

At this time, the big screen kept brushing lines to thank the filming unit.

Sharp-eyed viewers quickly spotted something that amazed them.

[I'm not mistaken, right?In addition to DJI, XCMG, these civilian and commercial machinery and equipment production units, how can there be military units?!

] [Eastern Theater XX Division XX Brigade

South China Sea Fleet Missile Destroyer Type 052C, Ship Number (169, 170, 171) South China Sea

Fleet Nuclear-powered Submarine, Number X, Model X

Not Included in the Experimental Aircraft Carrier]

[ The armored cars, fighter jets, and military equipment in the movie should be real, right?]

It wasn't until the cleaning aunt who cleaned the theater came in to drive people away that the audience got up and walked out.

The theater bathroom was instantly crowded with the audience of "The Wandering Earth", and the nearly three-hour movie was a big challenge to everyone, especially those who drank a lot of drinks during the movie.

The plot with no urine spots made them have to hold back their urge to pee, and they didn't rush to the theater bathroom until the end of the movie.

Liu Lang is no exception, as soon as he entered the bathroom, he heard someone discussing the 'little moss' MOSS, the artificial intelligence that was portrayed as a villain in "The Wandering Earth", which was discussed by many audiences.

In Liu Lang's view, this is undoubtedly the audience's recognition of the movie.

In the waiting hall of the theater, several couples who bought tickets for "Magic City Fortress" were waiting, and at this time, a group of people suddenly poured out of the theater, discussing something excitedly.

'Little Moss Moss', 'Space Elevator', 'Digital Life Project' and more.

made them curious, and just understood that this group of people was the audience who had just finished watching "The Wandering Earth".

Soon another group of people came out of the theater.

"What kind of hanging garbage movie, I want to vomit when

I watch it!" "This thing from the Demon Capital Fortress once again proves that the Dragon Kingdom sci-fi is hopeless!"

"I told you to watch "The Wandering Earth", what do you have to watch Lu Han.

'Shoot at me', I really want to give this batch of movies a shot!" A

group of people walked out scolding, in stark contrast to the performance of the previous batch of "The Wandering Earth" audience.

Several young couples looked at each other for a while, looked at the movie tickets for "Magic City Fortress" in their hands, and fell into deep thought.

Not long after Liu Lang returned home, Dong Yanling couldn't help but call again to report the good news.

Previously, due to the length of the movie, the number of films scheduled for "Magic City Fortress" was more than that of "The Wandering Earth".

But in just half a day, the theaters under the major theater chains found that the attendance rate of "The Wandering Earth" was much higher than that of "Magic City Fortress".

The first-tier cities are almost full, and the second-, third- and fourth-tier cities also generally have an attendance rate of about 9%.

On average, the theaters in theaters across the country have reached eighty percent of the attendance rate, much higher than the fifty percent of "Magic City Fortress".

No one will have trouble with money, and theaters are naturally willing to schedule more lucrative movies.

As a result, the major theaters made urgent adjustments, and from the second day of the Lunar New Year, the number of films scheduled for "The Wandering Earth" will increase from 28% to 38%.

"Magic City Fortress" will drop from the original 35% to 25%, and if the box office does not improve much, it is possible to further reduce the film schedule.

If this continues, the gap between "Magic Capital Fortress" and the second echelon of "Bear Infested" and "Big Sea Fish Begonia" will become smaller and smaller.

The number of box offices is the decisive factor in the film scheduling rate, and in the golden period of the Spring Festival, no matter how big the face of Xu Lei's company is in the Longguo film and television circle, he must also follow the laws of the market.

Since "Fortress of the Magic Capital" does not make money as "The Wandering Earth", theater owners across the country will vote with their feet.

The promotional activities of the main creative team of "The Wandering Earth", which was originally scheduled to start on the fifth day of the Lunar New Year, had to start in advance under the strong market performance of the film.

"According to the current box office trend of "The Wandering Earth", it is expected to enter the top ten box office in the history of Dragon Kingdom!

We have to increase publicity efforts, and maybe there will be a chance to make history!" On

the phone, Dong Yanling's voice was unprecedentedly excited.

The success of "The Wandering Earth" is almost a certainty.

The pre-sale box office on the first day of the Lunar New Year has been almost all sold, and "The Wandering Earth" has taken the lead, reaching an astonishing scale of 550 million.

In addition, random interviews with passers-by in major cities, as well as overwhelming audience praise on film review software.

Byte Entertainment's internal big data analysis report pointed out that the box office data of "The Wandering Earth" is conservatively estimated to reach more than 3 billion, in the range of 30-4 billion.

This is undoubtedly a huge victory for Dong Yanling and the entire Byte Entertainment.

This is Byte Entertainment's attempt to enter the Dragon Kingdom film and television circle, the first big-budget movie to be released.

If "The Wandering Earth" finally really won the expected box office, it will rush to the top ten box office positions in the history of Dragon Kingdom.

It will be a powerful counterattack against Penguin, Ali and other veteran film and television industry overlords.

It will also prove that the strategic direction of Byte Entertainment, choosing to focus on science fiction films, and supporting rookie directors like Liu Lang is an extremely correct strategic decision.

Dong Yanling's position within the group will also become more stable.

Until now, although in the "The Wandering Earth" film project only participated in the distribution, publicity, and did not invest.

But Byte Entertainment and Dong Yanling are even more eager for the success of "The Wandering Earth" than Liu Lang.

To this end, Dong Yanling even applied for a batch of special funds from the group headquarters, up to 100 million, which was specially used to assist "The Wandering Earth" in publicity.

When Liu Lang took a passenger plane to the imperial capital to meet the film's main creative team, he didn't know that the distributor of "The Wandering Earth" had generously donated money and paid out of his own pocket to comprehensively strengthen the promotion of the film.

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